| |
|
 |
|
|
 |
“Filling the Void: In the self-taught artist Dan Miller’s big, new abstract drawings, richly textured compositions energize the space,” Fluence (an online magazine published by Ricco/Maresca Gallery, New York), May-June 2010, pgs. 28-35. PDF |
 |
“Matsutani’s Moment: A Japanese modernist’s retrospective reflects a deepening respect for the art and ideas of Gutai,” feature article about Takesada Matsutani, pegged to his retrospective exhibition at the Museum of Modern Art, Kamakura and Hayama, Japan, Art in America, May 2010, pgs. 136-143. PDF here or link to magazine's website here. |
 |
“Conversation: Outsiderism: A Discourse on Self-taught Art, Brooke Davis Anderson and Edward M. Gómez,” an interview with the director and curator of the Contemporary Center at the American Folk Art Museum in New York, Art in America, Apr. 2010, pages 53-56 and 58. PDF |
 |
“By the Numbers: Filled with puzzling dates and figures, and rich random patterns, the art of George Widener offers a personal meditation on the passage of time,” Fluence (an online magazine published by Ricco/Maresca Gallery, New York), Mar.-Apr.. 2010, pgs. 11-18. PDF |
 |
“For Outsider Art, the End of an Era: From New York, Edward M. Gómez reports on the closing of the Phyllis Kind Gallery and recalls its founder’s trail-blazing career,” Raw Vision (U.K.). issue no. 68, winter 2009/2010, pgs. 32-39. PDF |
 |
“Hiroyuki Doi: A Big, Bold Art of Teeny-Tiny Circles,” Fluence (an online magazine published by Ricco/Maresca Gallery, New York), Jan.-Feb. 2010, pgs. 9-15. PDF |
 |
“William Hawkins: Architectural Paintings,” Fluence (an online magazine published by Ricco/Maresca Gallery, New York), Jan.-Feb. 2010, pgs. 1-8. PDF |
 |
“The New Outsiders: With discoveries from afar and new ways of looking at the work of self-taught artists, the outsider field is evolving,” Art & Antiques, Jan. 2010, pgs. 76-83. Also available as a PDF showing the published article as it appeared in print; click here. |
| |
|
 |
“Exhibition review, Mexico City: Dr. Lakra at kurimanzutto,” Art in America, Jan. 2010, pgs. 124 and 126. |
| |
|
|
|
|
