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“Brut Force: In Japan, where fine craftsmanship abounds, remarkable works by self-taught artists — so-called art brut — have emerged and are being noticed,”Art & Antiques, Dec. 2015/Jan. 2016 (Winter 2015/2016 issue), pages 88-92. Click here to see this article in PDF form. |
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“Humanizing an ‘Enigma’: A New Book Illuminates Martín Ramírez’s Life and Art,” article about Víctor M. Espinosa’s book about the Mexican-born, self-taught artist whose life story and innovative, mixed-media drawings have become legendary in the art brut/outsider art field, HYPERALLERGIC, Dec. 12, 2015. |
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“Takesada Matsutani’s Art of Expressive Textures and Ambiguous Blobs,” article about a Gutai-era artist’s retrospective exhibition at the Otani Memorial Art Museum in Nishinomiya, Japan, HYPERALLERGIC, Dec. 5, 2015. |
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“Versteckt/Hidden,” essay in Versteckt/Hidden, catalog of an exhibition of the same name presented at the Raiding Foundation, Raiding, Austria, Oct. 24-Nov. 1, 2015. |
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“In Martha Wilson’s New Photo Works, Feminism Meets the Absurd,” article about Wilson's just-opened solo exhibition at P.P.O.W., New York, HYPERALLERGIC, Oct. 24, 2015. |
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“Jean Dubuffet and Art Brut in the U.S.: A Historical Moment Re-examined,” article about the exhibition Art Brut in America: The Incursion of Jean Dubuffet at the American Folk Art Museum, New York, HYPERALLERGIC, Oct. 17, 2015. |
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“Naoto Nakagawa’s Art of Seeing and Believing,” article about the paintings and career history of the Japanese-born, New York-based artist Naoto Nakagawa, HYPERALLERGIC, Oct. 3, 2015. |
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“A Wounded Healer: The Italian modernist Alberto Burri, a war veteran and doctor-turned-painter, used unusual materials to transmit a potent emotional charge,” article about the Burri exhibition at the Solomon R. Guggenheim Museum, New York, Art & Antiques, Oct. 2015, pages 90-95. |
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“Daisy Craddock’s Pastel Drawings: If Landscapes Could Talk,” review of Four Decades, the artist’s retrospective exhibition of works on paper, on view at John Davis Gallery, Hudson, New York, HYPERALLERGIC, Sept. 26, 2015. |
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“In 1970s Japan, a New Art of Experiments, Edgy Photos and Big Ideas,” review of the two-venue exhibition in New York, For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979, HYPERALLERGIC, Sept. 19, 2015. |
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“Through a Lens, Inquisitively: Modern Photo Visions, of and from Japan,” review of Kazuo Kitai’s exhibition in New York, Aperture Foundation’s book, Hiroji Kubota Photographer, and the exhibition For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979, HYPERALLERGIC, Sept. 12, 2015. |
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“Drawing on Their Imagination: Approaching the making of works on paper from different starting points, a group of contemporary artists demonstrates how versatile their favorite medium can be,” article about the work and ideas of six artists based in the U.S.A. and overseas, Art & Antiques, May 2015, pages 88-92 and p. 94. |
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“It’s Only Rock’n’roll, But They Like It: New Books from Robert Christgau and Jessica Hopper,” review of new books by two American rock-music critics, HYPERALLERGIC, Aug. 29, 2015. |
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“A Chelsea Double Feature: Paper Meets Clay on ‘Homeground’s’ Turf,” review of two multi-artist, thematic exhibitions on view at Cavin-Morris Gallery, New York, HYPERALLERGIC, Aug. 1, 2015. |
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“See America First: The transplanted, redesigned and reopened Whitney Museum makes us take a fresh look at over a century’s worth of American art,” Art & Antiques, July-Aug. 2015, pages 55-58. |
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“Tokyo, Mon Amour: The City in Photos, as Monster and Muse,” review of Aperture magazine’s summer 2015, Tokyo-themed issue, HYPERALLERGIC, July 18, 2015. |
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“Agnes Martin: In Two New Books, A Life Revealed,” review of Nancy Princenthal’s new biography, Agnes Martin: Her Life and Art, and Agnes Martin, the catalog of an exhibition on view at Tate Modern, London, HYPERALLERGIC, July 4, 2015. |
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“‘The Curator,’ an Art World Fantasy: Excerpts,” passages from a story from Edward M. Gómez’s new book of stories, As Things Appear (published by Ballena Studio), HYPERALLERGIC, June 28, 2015. |
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“MoMA’s ‘One Woman Show’: Now, the Ballad of Yoko,” article about the themes of and the unusual back-story behind artist Yoko Ono’s exhibition, Yoko Ono: One Woman Show, 1960-1971, on view at the Museum of Modern Art, New York, May 17-Sept. 7, 2015, HYPERALLERGIC, May 16, 2015. |
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“Of History, Disasters and Paint: Amer Kobaslija’s Japan-themed Pictures Capture the Look and Ambiance of a Moment in Time,” essay in Amer Kobaslija (New York: George Adams Gallery, 2015), pages 49-55. |
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“Plastic Ono Show: An exhibition at the Museum of Modern Art examines Yoko Ono’s formative years as an artist,” article about Ono’s art and ideas, and Yoko Ono: One Woman Show, 1960-1971, on view at MoMA, New York, May 17-Sept. 7 2015, Art & Antiques, May 2015, pages 88-93. PDF of print-magazine version here. (Size: 14 MB) |
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“A Keen Observer of the Brazilian Scene: With compassion and an eye for detail, Zica Bérgami created a lively visual portrait of her homeland,” Raw Vision (U.K.), issue no. 85, spring 2015, pages 36-37. To order a copy of this magazine, visit its website. |
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“Keeper of the Flame: In Japan, a veteran collector preserves ancient artworks and an aesthete’s sensibility,” article about Kyoto-based collector Yasuyoshi Morimoto and the collection he assembled along with the late David Kidd, an American writer and specialist in classical Chinese and East Asian art, Art & Antiques, Mar. 2015, pages 88-90 and 92. Online version here. PDF of print-magazine version here. |
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“The Swinging Sixties’ Grooviest Art Dealer: In London, Remembering Robert Fraser,” article about an exhibition in London that looks back at the legacy and influence of the London-based art dealer Robert Fraser (1937-1986), who was a key figure on the “Swinging London” art-fashion-music-pop culture scene of the 1960s, HYPERALLERGIC, Mar. 21, 2015. |
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“Wölfli’s World: Fifty Shades of Grau — and Technicolor Visions,” article about an exhibition of the work of the legendary, Swiss art brut maker, Adolf Wölfli (1864-1930), on view at Museum Gugging, near Vienna, Austria, through Mar. 1, 2015, HYPERALLERGIC, Feb. 21, 2015. |
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“No Time Like the Present: In an ‘atemporal’ age, a new exhibition proposes, painters can — and do — make art from an anything-goes grab bag of styles and attitudes,” article about exhibition of contemporary paintings at the Museum of Modern Art, New York, Art & Antiques, Feb. 2015, pages 82-87. |
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“From the Deep South, an Overlooked Chapter in Art History,” article about the Atlanta-based Souls Grown Deep Foundation’s donation of 57 works by self-taught, black American artists from the Deep South of the United States to the Metropolitan Museum of Art in New York, HYPERALLERGIC, Jan. 24, 2015. |
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“Of Empathy, Appropriation and Time: Gillian Jagger,” article about the British-born, U.S.A.-based sculptor Gillian Jagger’s mixed-media works made with parts of old trees salvaged from forests and other unusual materials, Sculpture, Jan.-Feb. 2015, pages 32-37. Click here to open a PDF containing the complete, published article. Size of file: 6.6 megabytes. |
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“Topless but Far From Helpless: Charlotte Moorman’s Avant-Garde Life,” article about author Joan Rothfuss’s new biography of the American musician, performer and impresario Charlotte Moorman (1933-1991) published by M.I.T. Press in the U.S.A., HYPERALLERGIC, Jan. 17, 2015. |
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“Offbeat satire that finds the bizarre in the banal,” article about the Tokyo-based, Scottish artist Jack McLean’s exhibition of new drawings at The Container, a small, alternative-space gallery in Tokyo, The Japan Times, Jan. 16, 2015. |
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“Master of ‘Raw Art’ Keeps to Path,” article about 83-year-old, self-taught, French artist André Robillard’s retrospective exhibiton at Collection de l’Art Brut, Lausanne, Switzerland, The International New York Times, Jan. 14, 2015 (posted on newspaper’s website on Jan. 13, 2015) |
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“Donna Sharrett’s Art of History, Remembrance and Time,” article about artist Donna Sharrett’s gallery exhibition of new mixed-media works, New York, HYPERALLERGIC, Jan. 10, 2015. |
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“George, the Maciunas Film: An Emerging Portrait of an Influential Enigma,” article about the New York-based filmmaker Jeffrey Perkins’ new film-in-progess about the life and work of the Fluxus leader, George Maciunas, HYPERALLERGIC, Jan. 3, 2015. |
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Various feature articles and reviews, including cover story about the drawings of the Australian self-taught artist Julian Martin, Raw Vision (U.K.), issue no. 84, winter 2014/2015. To order a copy of this magazine, visit its website. |
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