Edward M Gomez
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2013 2014 Ensayos escritos en el año 2015          
2010
 
new design, tokyo

New Design, Tokyo: The Edge of Graphic Design.

new design, los angeles New Design, Los Angeles: The Edge of Graphic Design.

new design, london

New Design, London: The Edge of Graphic Design.
new design, paris New Design, Paris: The Edge of Graphic Design.
Gloucester, Massachusetts: Rockport Publishers, 1999; author and New Design series founding editor: Edward M. Gomez
 

A Portraitist of Consciousness,” The New York Times, Arts & Leisure section, Oct. 10, 1999; article about contemporary Mexican painter Roberto Cortázar.

“Where Pluralism Rules,” Art & Antiques, Dec. 1999, pages 64-71. Article about six emerging artists from the United States and Latin America: Karin Davie, Daisy Craddock, Eddie Dominguez, Susan Hartnett, Ana Fabry, Jon Eric Riis.

“Reinventing Painting: Prudencio Irazabal’s luminous abstractions ‘dissect color’—and dazzle the eye,” Art & Antiques, Oct. 1999, pages 108-111; with photographs by the author.

The Fine Art of Biting Into Japanese Cuteness,” The New York Times, Arts & Leisure section, July 18, 1999; article about Japanese contemporary artist Takashi Murakami and his exhibition at Bard College.

A Late Bloomer Leaps Easily from Design to Art,” The New York Times, Arts in America section, June 22, 1999; article about Japanese painter and industrial designer Minol Araki.

“Art as Glamour: A painter points the way to a new pop abstraction,” Art & Antiques, June 1999, pages 78-82; article about painter Christopher Tanner.

Improvised Images in Molten Wax, as Fluid as Jazz,” The New York Times, Arts & Leisure section, May 16, 1999, pages 31 and 32; article about contemporary encaustic-art exhibition at Montclair Art Museum.

The Doughnut Hole as Muse, No Irony Intended,” The New York Times, Arts in America section, Apr. 21, 1999; article about artist Emily Eveleth.

Modern Art’s Missing Link: The Jersey Scene,” The New York Times, Arts & Leisure section, Feb. 21, 1999, pages 47 and 48; article about exhibition at the Newark Museum about the Rutgers avant-garde of the late 1950s and early 1960s.

What an Artist Learned from the Works She Created,” The New York Times, Arts in America section, Feb. 11, 1999; article about artist La Wilson.

 

© 2018 Edward M. Gómez; all rights reserved.